Whether you customize an existing Compressor setting in Final Cut Pro or create an entirely new setting, you can share the results with other Final Cut Pro editors - even if they don’t have Compressor installed on their workstations. After you’ve made changes to the setting, save it, then access it in the Destinations preference pane in Final Cut Pro. Customize any setting just by opening it in Compressor. It's late and I'm, going to bed, sorry for bad English etc, can't be arsed checking at mo' goodnight.It’s easier than ever to customize and share Final Cut Pro output settings - or to create completely original settings for specialized encoding jobs.įinal Cut Pro lets you access the complete library of export settings available in Compressor. Might want to do the above on a copy of the 24fps clip to preserve it. Now quit cinema tools and open up your original 24 fps clip in quicktime, and if you get info you will see it is no longer 24 but a smooth playing 25 fps clip!! In the bottom right of that window will be a button called 'Conform' click it and you'll get another window!!Ĭhoose 25 fps and press OK. Now go to FILE > Open Clip - Choose the original 24fps clip. You will be presented with a couple of windows, ignore them. Save the database as something when asked. Open Cinema tools and create a new Database > It will pop up a window asking to Choose default database settings, I set it to > Film standard :35mm 4p >Video TC rate: 25 > Sound TC rate: 25 > Telecine Speed: 25 - I don't know if you need to do this but I did. Outputs fine except 24 fps clip which stutters every second or so, looks horrible. > Export to use in a DVD via compressor using 'DVD best Quality 90mins' > mov using photo jpg compression > put into my FCP project which is all at 25fps. Must have read-and-write privileges for the media files you want to conform. If you need to undo theĬonform process, you must use the Conform feature in Cinema Tools. Important: Conforming a clip modifies the original media file. If any of the selected clips are not 25 fps, a warning appears stating that one or more To conform a 25 fps clip to 24 fps in Final Cut Pro:ġ In the Browser, select one or more clips you want to conform from 25 fps to 24 fps. So that the footage plays back more slowly at the film’s original 24 fps rate. Unlike reverse telecine, which must actually remove fields or frames of video, theĬonform 25 to 24 command simply slows the duration of each frame by 4 percent Use the Conform 25 to 24 command to slow your PAL video footage back to 24 fps. You can’t match the audio to your video in Final Cut Pro. However, one of the problems with the method described above is that the originalĪudio is 4 percent slower than the PAL video containing the sped-up film footage, so Matches the 25 fps timecode back to the original film edge codes. You can capture and edit the PAL footage and thenĭeliver a 25 fps EDL (instead of a traditional cut list) to the negative cutter, who In countries that use PAL video, film is sped up by 4 percent (from 24 to 25 fps) and Have you checked the manual? It's a good habit to try searching the electronic version of the manual.
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